Music therapy is a field of study that is based on the therapeutic use of music to promote physical, emotional, and cognitive well-being. It is a complementary therapy that has been used for centuries to treat a variety of conditions, including depression, anxiety, and chronic pain. In recent years, music therapy has gained popularity as a non-invasive and enjoyable approach to enhancing quality of life, and its use of solfeggio frequencies and different musical instruments has been studied extensively.
Music therapy is a form of complementary medicine that utilizes music to address the physical, emotional, and cognitive needs of individuals. The practice of music therapy has been shown to be effective in a variety of settings, including hospitals, nursing homes, rehabilitation centers, schools, and community centers.
A trained music therapist uses music interventions such as singing, songwriting, and listening to music to help individuals achieve their goals. The use of music as therapy has been found to have a positive impact on a wide range of conditions, including depression, anxiety, chronic pain, and Alzheimer’s disease.
Solfeggio numbers are found throughout the universe, they are numbers found when calculating the harmonics of the nature for example, they are constant mathematical numbers within the core structure of the universe.
The combinations of frequency numbers as outlined above are key to understanding how everything in our universe resonates in harmony with itself.
Some frequencies are used to clear negative energy, others stimulate the mind, pineal gland etc, while others are overriding frequencies like 528 Hertz which seem to exist in everything from plants, insects etc.
These numbers must exist within these combinations which are outlined above, otherwise they are not harmonious or stable entities.
They must exist within a trinity of numbers, meaning three numbers together as one unit, but are oscillating or vibrating between each number within the shortest path possible while at the same time trying to maintain the structure of the whole entity, which could have a hexagon shape for example.
The energy within these numbers jump or move within three numbers of each other, like electricity moves within the shortest path possible.
There are 3 numbers between 1 & 4, and 3 between 4 & 7.
3 between 2 & 5, and 3 between 5 & 8. 3 between 3 & 6, and 3 between 6 & 9.
You may ask as to why the energy within a solfeggio frequency won’t move between 1 & 2 for example or why you couldn’t have a solfegio frequency with the combination 1,2,5 for example.
The reason it cannot be this way is, if you image that the energy within a solfegio frequency is vibrating or oscillating around a structure like a hexagon and all numbers from 1 – 9 represent a point on the perimeter or outside of the hexagon, so the energy within in a solfegio frequency is not only trying to vibrate within the shortest distance possible, it is also trying to maintain the structure it is in, which may be a hexagon shape for example and therefor maintains unity with the core structure of itself, but also finds three points to move from to maintain this unity structure.
If a solfegio frequency had the combination 1,2,5 for example, the energy of this frequency would be polarised to one side and therefor the core structure with which it existed in could not sustain itself, in chemical compounds like this the compounds electrical energy would seek to bond with other entities around it and the structure would collapse or dissapate.
This confirms the idea that solfegio frequencies are mainly concerned with structure and the substance of the universe.
While other frequencies such as 432 Hertz may be harmonious, they are mainly concerned with time and cannot hold structural entities together for any great lengths of time.
The frequency 432 Hertz seems to be counting down from 4 to 2, perhaps alluding to the point that this harmonic is synonymous with time and not structure.
When numbers associated with time, such as 60 seconds / minutes or 12 hours are multiplied by 432, some interesting numbers present themselves which we would associate with time.
432 times 60 equals 25,920
25,920 years is the exact time period spiritual commentators in India or mesoamerica for example proclaim that our galaxy goes through a complete cycle of itself.
If you square 432, you get 186,624 which is pretty close the speed of light, which we might associate with time.
Speed of light equals 186,282.
When you add 342 to 186,282, you get 186,624.
The same numbers in 432 are in 342,
12 times 60 times 60 equals 43200.
432 divided by 12 equals 36.
Coincidence, I think not.
When studying chemistry, music, electron theory for example, you will find the same number combinations when trying to understand how a chemical compound is stable or how electromagnetic or musical waves resonate in harmony with each other.
Take a look at the solfeggio calculations below. These calculations seem strange to me, I have only begun to notice these numbers.
Solfeggio calculations seem to be intertwined with the numbers 111 and 27.
When you either add or subtract 111 or 27 you almost always come to another corresponding solfegio number.
Take a note below.
I believe that the upper range of solfeggio frequencies ends @ 11,111 Hertz and that the mid point for solfeggio frequencies is actually half this number @ 555.55 Hertz.
This solfegio frequency 555.55 hertz I believe is The mid point between dark and light frequencies when considering spiritual ascencion frequencies.
Listening to frequencies such as 417 or 432 Hertz, will clear negative energy or give you a sense of feeling more harmonious with life, nature etc.
But it is not until you start to listen to 528 Hertz regularly, that you feel like you have more energy or feel like waking up earlier in the morning.
555 Hertz is the mid point between what we perceive as light and dark or positive and negative energies, getting a sense as if you want to listen to 528 Hertz regularly means that you are at the dawn of your ascension or awakening and the entrance into light and across the 555 hertz barrier.
This crossing of darkeness into light may signify that you not only perceive these energies or frequencies as feelings, or intuitively etc, but you can also begin to see them in a mathematical or visual sense etc as more light is shed upon them.
Also notice that when you add 111 to combinations of 3,6,9 you get frequency combinations which are not typical solfeggio frequencies, but when you subtract 111 from combinations of 1,4,7 you get frequency combinations which are not typical solfeggio frequencies.
Confirming that solfeggio frequency combinations 1,4,7 & 3,6,9 are at opposite ends of a mathematical scale (+ or -).
Also when solfegio combinations 936 & 963 have 111 added to them, they form a harmonic which has 4 numbers in it (1047 & 1074). Perhaps alluding to the idea that these frequencies form cube based structures?, while frequencies with the resulting combination of 111 added or subtracted to make 3,6,0 form Circular structures.
A fitting experiment to conduct would be to place coloured food dyes in a glass of water, placed beside a window. Bacteria will grow, but it might be interesting to see how it grows when certain frequencies are played beside it.
The colour of the food dye definitely plays a role as to what structure the bacteria takes, maybe the frequencies will play a role too.
Experiment: place a small layer of rice in a pot with a small amount of water over it.
Place a lid over the pot, watch while the temperature is turned up and the water is compressed by the lid of the pot, how the bubbles take on a cube shape, when the temperature is turned down the bubbles go back to being round. The water is vibrating at a certain frequency.
The curios case of the number 27.
Now you’ll find that when you add the number 27 to a solfeggio frequency, you’ll almost always come to that corresponding solfeggio frequencies combinational opposite.
This is almost always the case with solfeggio frequencies except where you add 27 to frequencies 417, 528, 639.
Interestingly you have to add 27 twice to these frequencies to come to the corresponding combinational opposite.
But also interestingly enough, when you add 27 to 417 you get 444, add 27 to 528 you get 555, add 27 to 639 you get 666.
For me this is more than just a nice coincidence, this has more signicance than we think. In the bible jesus is said to have the number 444, Satan as we know has the number 666. This confirms the idea that the bible and the numbers contained within are based on solfeggio combinations.
555 is then the mid point between jesus and Satan, perhaps between compassion and logic or between the 4th chakra (heart) and the sixth chakra (mind).
Between light a darkness, day and night.
But who’s name in the bible renders as 555 or 111?.
Who is the centre? The entity which everything flows through or the energy which pervades all.
666 – 111 = 555. 555 – 111 = 444.
Confiming the relationship between solfeggio universal harmonics and the trinity that is 111, the number of twin flame synchronicities, 11,11.
The 444, 555, 666 anomaly happens at the mid point of the table below and happens within combinations of three.
It’s almost as if the table acts as a whole unit but yet functions as three separate parts.
Is the number 5 to do with the 5th chakra or throat and the centre is a voice, or a trinity of voices?.
27 reduces to the number 5, when 2 is taken from seven.
While 2 +7 = 9.
There is also debate as to whether 432 or 528 Hertz is the most harmonious frequency within in the universe, both frequencies are found throughout all life within the nature.
But I would argue that both these numbers are in harmony below 555 Hertz and are therefore Harmonius within the dark region of harmonics or the region of sleep and dreaming and that there are also corresponding frequencies which are just as harmonious as these frequencies but are above 555 Hertz.
These include the frequencies 582 and 678 Hertz.
Take note of the calculations below.
(528 – 432 = 96) (582 + 96 = 678)
528 +27 = 555 + 27 = 582
Terms worth considering or researching while trying to understand solfegio constants.